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Martyn Ware (born 19 May 1956) is an English musician, composer, arranger, record producer, and music programmer. As a founding member of both the Human League and Heaven 17, Ware co-wrote hit songs such as "" and "Temptation".

Ware has also worked as a record producer, notably helping to revitalise 's career in 1983 with her cover of "Let's Stay Together", launching 's career by co-producing his solo debut, Introducing the Hardline According to... in 1987, and producing Erasure's I Say I Say I Say album in 1994. He is also noted for work in surround sound technology and, more recently, for creation of sound installations.


Early years
Ware was born and grew up in , England. After leaving King Edward VII School, he worked in the computer industry. With his first wages, he bought a 700 monophonic keyboard and started experimenting with electronic sound.


Music career

The Human League
In the 1970s, Ware and synth player Ian Marsh teamed up to play as The Future and then as the Dead Daughters. In 1977, they formed the Human League with vocalist and soon added Adrian Wright as "Director of Visuals" to create slide shows for their performances. They recorded a demo and signed with the indie label Fast in 1978. The band was commercially and artistically successful, issuing "" as their first single, but Ware and Marsh left in 1980 over internal tensions, forming the British Electric Foundation.


Heaven 17
The British Electric Foundation was an experimental production project that employed artists including , , and . The band's first album in 1980 was the instrumental cassette-only release Music for Stowaways, followed in 1982 by Music of Quality and Distinction, Vol. 1 which featured vocalist . By this time, Ware and Marsh had already teamed with Gregory to form Heaven 17. Their first release was the single "(We Don't Need This) Fascist Groove Thang," which was banned by the BBC. In 1983 they released the hit song "Temptation" which reached #2 on the music charts. The band went on hiatus in 1988, but reformed in 1990 and released Music of Quality and Distinction, Vol. 2. In 2005 Marsh left the band, but Ware and Gregory continued production.


Other projects
Ware has collaborated with (as The Clarke & Ware Experiment) on two music projects; the Pretentious album (1999), and Spectrum Pursuit Vehicle (2001). He has also contributed programmes to radio stations.

In the late 2000s Ware created a touring production called "The Future of Sound", featuring audiovisual artists working on the boundaries between music, art and technology, including United Visual Artists and The Sancho Plan.

Ware also completes sound installations as a "sonic muralist". In 2016 he released an 82-minute soundscape called Sounds of Our Shores, made up of sea coast sound clips sent in by the public.

He curated and produced 'Everything You Can Imagine Is Real' for the UK's National Portrait Gallery in 2017, to coincide with their Picasso Portraits exhibition. The event was inspired by Picasso's circle in Montmartre in the first decade of the 20th century. He arranged for the gallery to become an artists’ colony featuring a wild cross-pollination of ideas, music, poetry, performance, art, film and dance. It included acts as diverse as the Radiophonic Workshop, Scanner, and White Noise.

In late 2020 he began a series of entitled Electronically Yours in which he interviewed various influential figures from the world of music, art, film, comedy and TV that he has encountered during his 40-year career within the industry. Interviewees have included , , and .


Problem with royalties
In September 2024, Ware said had asked to license "Temptation" for its upcoming video game Grand Theft Auto VI for per writer; Ware countered with an offer for or "a reasonable " but said Rockstar declined. Ware responded "Go fuck yourself", citing the estimated revenue earned by the game's predecessor, Grand Theft Auto V. , the general secretary of the Musicians' Union, felt Ware's reaction was unsurprising and said the game's high profile would not necessarily translate to higher exposure for the song, noting that " doesn't sustain careers".


Surround sound technology
in 2014]]Ware created a 3D auditorium for the National Centre for Popular Music in Sheffield – a museum of contemporary music and culture, launched with £15 million of National Lottery money, which opened in March 1999 and closed in July 2000. BBC News described the centre as having been "shunned" by visitors, and, despite a £2 million relaunch, the Centre closed. Despite this, Ware later used the surround sound technology to launch an Arts Council subsidised touring project called "The Future of Sound".

Ware's 3D music has also been used in an unusual noise suppression experiment undertaken in in 2011 on behalf of the Noise Abatement Society (NAS). During this experiment, which was an entry for the John Connell Technology Award, a six-point sound field was created using ethereal sound textures. This was played in the main shopping street in the city, West Street, with the intention of distracting people from the traffic noise.

In the meantime, film made of the street during the time the sound was being produced was analysed by the psychobiologist Harry Witchel to assess whether the ambient sound made any difference to hearers' behaviour. Early results suggested that it did have a beneficial effect for the public both during the day and anecdotal evidence suggested it served as a calming influence during the "clubbers rush" in the evening. Suggestions have been made that the experiment could be rolled out more widely in the future.


Honours and awards
Ware is a visiting professor at Queen Mary University of London, a member of BAFTA, a Fellow of the Royal Society of Arts, and a founder of 5D – the future of immersive design. In 2012 he received an Honorary Doctorate in Science from the University of London. He received a "Gold Badge Award" from the British Academy of Songwriters, Composers, & Authors (BASCA) in 2017. Gold Badge Awards 2017, goldbadgeawards.com He was awarded an honorary doctorate from the University of Sheffield in 2022.


Podcast
In November 2020, Ware launched a podcast, Electronically Yours. It shares the title with his forthcoming autobiography.
(2022). 9780349135120, . .


Public speaking
Ware speaks regularly on music policy from the perspective of a creative person. His speaking engagements have included: "The future of copyright in Europe" at the on 11 February 2011 for Copyright for Creativity; The future of copyright in Europe, 11 February 2011, Copyright for Creativity, London "The needs of creators, archivists, and educators in transforming creative works" at the European Parliament in Brussels on 14 June 2011; The needs of creators, archivists, and educators in transforming creative works, 14 June 2011, Copyright for Creativity, Brussels and two outreach events in Brussels in May 2012 in the Library of the European Parliament. He was also a keynote speaker at the Silicon Dreams festival in on 6 July 2013, where he performed with Heaven 17. An Evening With Martyn Ware, 6 July 2013, silicondreams.org.uk.


Personal life
Ware is married to Landsley and has two children, Elena and Gabriel.

He is a longtime Sheffield Wednesday supporter.


Political views
In November 2019, along with 34 other musicians, Ware signed a letter endorsing the Labour Party leader in the 2019 UK general election with a call to end austerity.


External links

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